Synopsis
In the process of encountering an abandoned building, multi-disciplinary artist Martijn Klukas playfully tests our perception in a series of parables. Representation, decontextualization, deconstruction and sequentiality in text, image and sound playfully reveal an intuitive body that constantly searches for meaning and expanded connections.
In the process of encountering an abandoned building, multi-disciplinary artist Martijn Klukas playfully tests our perception in a series of parables. Representation, decontextualization, deconstruction and sequentiality in text, image and sound playfully reveal an intuitive body that constantly searches for meaning and expanded connections.
Full credits
- Section
- Competition Shorts and International Short Film Competition
- Director
- Martin Klukas
- Production countries
- Germany
- Production year
- 2023
- Duration
- 16 minutes
- Producer
- Martin Klukas
You might also like:
When We Are Born Out of Competition
Mathieu ‘Moon’ Saura, Ólafur Arnalds, 2021, IS, 25 min
A collaboration between Icelandic multi-instrumentalist Ólafur Arnalds and filmmaker Vincent Moon, When We Are Born is a journey about rituals, relationships and our inner landscapes. Filmed in Iceland in the summer of 2020 and based partly on Ólafur’s life, the work ultimately focuses on how we all move forward; a theme made especially potent in the times of disconnection and isolation it emerged from. The music of the film was recorded live on location and interpreted by choreographer Erna Ómarsdóttir and the Iceland Dance Company.
Through Magma Competition Shorts and International Short Film Competition
elisabeth raymond (elieli), 2023, SE, 9 min
Inspired by hydrofeminist theories and wearing a vessel suit, full of leaking water, artist Elisabeth Raymond tells an otherworldly story about sorrow, the plastic in our oceans and how our borders are fluid.
The Key Is online potential
Tyler Carney-Faleatua, 2022, NZ, 11 min
'The Key Is' focuses on the idea of wanting to leave a space before one is ready. We see a dancer wanting to pass through this space but then quickly come to realise that they are not in control of this decision. In order to unlock the door, they have a lesson to learn. They need to embrace their whole self, including the ugly and dark parts. It is not until they honestly welcome a darker sense of themselves that they are allowed to leave. This story is portrayed through contemporary, street dance and krump movement that is brought alive though dancer, Ooshcon.